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Parallel Curriculum Units for Language Arts, Grades 6-12

Design exemplary language arts lessons based on the Parallel Curriculum Model!

This practical resource provides sample language arts units written by practicing teachers to demonstrate what high-quality curriculum looks like using the Parallel Curriculum Model (PCM). Teachers can use these examples to deepen their understanding of the PCM framework and design their own units. Covering a variety of topics—including narrative voice, literary criticism, and writing original pieces—these field-tested units each contain:

  • Teacher rationales explaining the unit design 
  • Connections to concepts, skills, and national or state standards
  • Step-by-step directions for delivering the lessons and unit 
  • Modification strategies, assessments, and reproducibles

Full description


Product Details
  • Grade Level: 6-12
  • ISBN: 9781412965385
  • Published By: Corwin
  • Year: 2009
  • Page Count: 232
  • Publication date: October 07, 2009
Price: $43.95
Volume Discounts applied in Shopping Cart

Review Copies

Review copies may be requested by individuals planning to purchase 10 or more copies for a team or considering a book for adoption in a higher ed course. To request a review copy, contact sales@corwin.com.

Description

Description

"The Parallel Curriculum Model (PCM) holds the power to help students and teachers 'see the whole' of what they are learning. We invite practitioners to read more about this model and join us on a professional journey that we believe will yield that joy and wisdom that comes from seeing the whole. To address the varying needs of teachers across the K–12 grade span—as well as different content areas—we decided to create a series of curriculum units, based on PCM, that could be used by practitioners. It is our hope that the lessons not only underscore important and discipline-specific content, but also illuminate the four parallels in unique and enduring ways."
—From the Introduction

Design exemplary language arts lessons based on the Parallel Curriculum Model!

Want to create rigorous learning opportunities for students in language arts based on a deeper understanding of pedagogy and curriculum design? As demonstrated in the best-selling book The Parallel Curriculum, the Parallel Curriculum Model (PCM) allows teachers to determine student performance levels and design intellectual challenges that help students develop expertise in specific subject areas.

Parallel Curriculum Units for Language Arts, Grades 6–12 provides sample language arts units written by practicing teachers to demonstrate what high-quality curriculum looks like within a PCM framework. Covering a variety of topics—including narrative voice, literary criticism, and writing original pieces—these field-tested units each contain:

  • Teacher rationales explaining the unit design
  • Connections to concepts, skills, and national or state standards
  • Step-by-step directions for delivering the lessons and unit
  • Modification strategies, assessments, and reproducibles

Use these examples to design your own units and deepen your understanding of how the PCM framework helps tailor curriculum to the abilities, interests, and learning preferences of each learner.


Key features

Parallel Curriculum Units for Language Arts, Grades 6-12 presents easy-to-use, Parallel Curriculum-based lessons in the subject area of language arts for middle and high school classrooms. Across each lesson, the authors present a framework of essential components in an effective Parallel Curriculum unit:

  • The big picture that takes in grade level, subject, goals, and standards
  • The unpacking—or step-by-step explanation—of the unit
  • The reasoning behind the unit design
  • Designing appropriate curriculum using the Parallel Curriculum Model
  • Modifications of the curriculum and classroom environment which give students the opportunity to learn from multiple perspectives
  • Organizing concepts corresponding to the Parallel Curriculum Model
  • Assessment strategies
  • Reproducibles
Author(s)

Author(s)

Jeanne H. Purcell photo

Jeanne H. Purcell

Jeanne H. Purcell is the consultant to the Connecticut State Depart­ment of Education for gifted and talented education. She is also director of UConn Mentor Connection, a nationally recognized summer mentorship program for talented teenagers that is part of the NEAG Center for Talent Development at the University of Con­necticut. Prior to her work at the State Department of Connecticut, she was an administrator for Rocky Hill Public Schools (CT); a pro­gram specialist with the National Research Center on the Gifted and Talented, where she worked collaboratively with other researchers on national issues related to high-achieving young people; an instructor of Teaching the Talented, a graduate-level program in gifted education; and a staff developer to school districts across the country and Canada. She has been an En­glish teacher, community service coordinator, and teacher of the gifted, K-12, for 18 years in Connecticut school districts and has published many articles that have appeared in Educational Leadership, Gifted Child Quarterly, Roeper Review, Educa­tional and Psychological Measurement, National Association of Secondary School Principals’ Bulletin, Our Children: The National PTA Magazine, Parenting for High Potential, and Journal for the Education of the Gifted. She is active in the National Association for Gifted Children (NAGC) and serves on the Awards Committee and the Curriculum Committee of NAGC, for which she is the co-chair for the annual Curriculum Awards Competition.
Jann H. Leppien photo

Jann H. Leppien

Jann Leppien served as a gifted and talented coordinator in Montana prior to attending the University of Connecticut, where she earned her doctorate in gifted education and worked as a research assistant at the National Research Center for the Gifted and Talented. She has been a teacher for 24 years, spending 14 of those years working as a classroom teacher, enrichment specialist, and coordinator of the Schoolwide Enrichment Model in Montana. She is past president of the Montana Association for Gifted and Tal­ented Education. Currently, she is an associate professor in the School of Education at the University of Great Falls in Montana. Leppien teaches graduate and under­graduate courses in gifted education, educational research, curriculum and assess­ment, creativity, and methods courses in math, science, and social studies. Her research interests include teacher collaboration, curriculum design, underachievement, and planning instruction for advanced learners. Leppien works as a consultant to teachers in the field of gifted education and as a national trainer for the Talents Unlimited Program. She is coauthor of The Multiple Menu Model: A Par­allel Guide for Developing Differentiated Curriculum. She is active in the National Association for Gifted Children (NAGC), serving as a board member and newsletter editor of the Curriculum Division, and a board member of the Association for the Education of Gifted Underachieving Students.
Table of Contents

Table of Contents

About the Editors


About the Contributors


Introduction to the Parallel Curriculum Model


1. Understanding and Finding Your Author's Voice: An Intermediate Language Arts Unit (Grades 6-7)

Introduction to the Unit

Content Framework

Assessments

Unit Sequence, Description, and Teacher Reflections

Lesson 1.1: The Contributors to Identity

Lesson 1.2: Shaping Your Voice

Lesson 1.3: The Influences on Mood

Lesson 1.4: Analyzing an Author's Voice

Lesson 1.5: Finding the Right Voice and Mood for Your Purpose

Lesson 1.6: Your Turn

2. The LIttle Napoleon in Us All: Literary Criticism and the Battle for Power (Grade 8)

Introduction to the Unit

Content Framework

Assessments

Unit Sequence, Description, and Teacher Reflections

Lesson 2.1: Preassessment/Brainstorming

Lesson 2.2: What Is Allegory?

Lesson 2.3: Diary of an Author

Lesson 2.4: Write a Personal Allegory

Lesson 2.5: Character Analysis, Part I

Lesson 2.6: Orwell's Responsibility

Lesson 2.7: Literary Criticism

Lesson 2.8: WRite a Literary Critique of Animal Farm

Lesson 2.9: Character Analysis Map, Part II

Lesson 2.10: What Is a Classic?

Lesson 2.11: Survivor: The Isms

Lesson 2.12: Final Assessment

3. Reacting to a Literary Model: Writing Original Pieces (Grades 9-10)

Introduction to the Unit

Content Framework

Assessments

Unit Sequence, Description, and Teacher Reflections

Lesson 3.1: Preassessment

Lessons 3.2 and 3.3: Setting and Mood

Lessons 3.4 and 3.5: Creating Realistic Characters

Lessons 3.6 and 3.7: Prejudice, Conflict, and Theme

Lesson 3.8: Postassessment

4. You Be the Critic: Understanding, Using, and Writing Literary Criticism (Grades 11-12)

Introduction to the Unit

Content Framework

Assessments

Unit Sequence, Description, and Teacher Reflections

Lesson 4.1: Introduction to Literary Criticism

Lesson 4.2: Analyzing a Fictional passage for Content

Lessons 4.3, 4.4, and 4.5: Character Development and Point of View

Lessons 4.6 and 4.7: Understanding Tone

Lessons 4.8 and 4.9: What Is Style?

Lesson 4.10: Recognizing Style

Lesson 4.11: Rhetoric and Rhetorical Devices

Lessons 4.12 and 4.13 The Persuasive Essay and the Editorial

Lessons 4.14 and 4.15: Writing a Literary Analysis

Index


Price: $43.95
Volume Discounts applied in Shopping Cart

Review Copies

Review copies may be requested by individuals planning to purchase 10 or more copies for a team or considering a book for adoption in a higher ed course. To request a review copy, contact sales@corwin.com.